Assignment: What tools are needed to support genuine collaborations among social entrepreneurs, storytellers, and funders, while protecting artistic excellence?

Assignment: Why do most partnerships need a Prenup? What should creatives, funders, and other changemakers know about each other before they tie the knot?

Assignment: What is Narrative Change, who’s working in the field, and how might a foundation contribute to sustained creative strategies?

Assignment: How can foundations and grassroots allies leverage “entertainment that inspires and compels social change”?

Assignment: What does a start-up hub need to know about collaborations among the entertainment industry, scientists, and other evidence-based innovators?

Assignment: How can two potent stories about the privatization of education become a rallying cry for communities across the country to fight for education equity through system-based lens?

Assignment: What does the concept of “trust-based philanthropy” mean to social change grantees, funders, and movement builders?

Assignment: How does a foundation navigate the path between story and change?

Assignment: How can a global foundation leverage the power of film across borders and over time?

Assignment: How can funders use film and other media to build awareness and help shape fair and humane public policies? 

Assignment: What is Narrative Change in the context of community organizing? How are grantees defining and incorporating these practices?

Assignment: How can documentary filmmakers, program strands, channels, and stations collaborate to advance public media’s mission and service?

Assignment: What strategic approaches to media grantmaking might support the growing social entrepreneurship movement?