What does “impact” look like when a documentary isn’t focused on a particular problem, or issue, or social movement? How do we make the case for these more nuanced and character-driven stories? Who will fund them? Sponsored by the Center for New American Media with support from the New York State Council on the Arts in Partnership with Wave Farm: Media Arts Assistance Fund, Ellen Schneider and Christie Marchese from Picture Motion led a one-day professional-development seminar aimed at filmmakers want to contribute to social awareness, but whose “outcomes” may be more emotional than measurable.
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